In 1966, the notorious producer/director/distributor team of Lee Frost and Bob Cresse (HOT SPUR, THE SCAVENGERS) combined the extremes of the Mondo genre with their own depraved aesthetic to create several shockumentaries that put Olympic International on the map and changed the face of exploitation forever.
In MONDO BIZARRO, the team’s “hidden cameras” go “beyond the beyond” to expose Bahamian voodoo rites, Japanese massage parlors, Nazi theater, and an Arab sex slave auction that looks suspiciously like it takes place at Los Angeles’ famed Bronson Canyon.